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Ad Reinhardt

American Painter

Ad Reinhardt Photo
Born: December 24, 1913
Buffalo, New York
Died: August 30, 1967
New York, New York
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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.
Ad Reinhardt Signature

Summary of Ad Reinhardt

Ad Reinhardt was a prominent American abstract artist, writer, critic, and educator. Although commonly associated with the Abstract Expressionists, his work had its origins in geometric abstraction, and, increasingly seeking to purify his painting of everything he saw as extraneous to art, he rejected the movement's expressionism. Although he was in turn rejected by many of his peers, he was later hailed as a prophet by Minimalists. His Black Paintings, which occupied him from 1954 until his death, are regarded as his crowning achievement, while the many cartoons he created that made fun of the art world brought him fame as a wry commentator.

Key Ideas

Biography of Ad Reinhardt

Ad Reinhardt Photo

Adolph Frederick Reinhardt was born in Buffalo, New York, to a family of immigrants. The family settled in New York City soon after his birth. He excelled at school and exhibited an interest in the visual arts from an early age; in high school, he worked as an illustrator for the school's newspaper. An inveterate reader, he set his sights on the elite universities of the east coast and turned down several scholarships from art schools, opting instead for undergraduate studies in art history at Columbia University in New York, which he commenced in 1931.

Important Art by Ad Reinhardt

Study for a Painting (1938)

Study for a Painting (1938)

This early composition by Ad Reinhardt exhibits the artist's profound interest and understanding of the Cubist art of Pablo Picasso and George Braque. The palette is typical of the style and is comprised of four colors essential for a Cubist painting: black, white, brown, and gray. The abstract shapes are dynamically arranged on the flat surface where the biomorphic curves intermingle with hard edges and straight lines. This small gouache presents Reinhardt as a talented young artist with a gift for absorption of the most relevant styles of painting of the time.

Untitled (1938)

Untitled (1938)

Painted in the same year as the Cubist gouache, this canvas presents quite a stark contrast with Reinhardt's earlier artistic pursuits. Here he is obviously quoting Stuart Davis, the American artist who was a key influence on young Reinhardt. The booming palette employed by the artist has turned this arrangement of rectangular shapes into a feast of color - hot pink, orange, yellow, and red comprise a luminous symphony that inevitably engages the viewer. Later in his life Reinhardt abandoned such bright pigments. This example yet again testifies to the amazing versatility possessed by the young artist in terms of adopting and adapting various styles of modernist painting.

Abstract Painting, Red (1952)

Abstract Painting, Red (1952)

This is one of the paintings belonging to the Red Series. Here the artist immersed himself completely into the exploration of the color red, one of the most expressive among the primary colors. This composition is abstraction par excellence; the squares are arrayed into a rigid pattern with the variations of red hues defining its strict geometry. The artist himself maintained throughout his life that these paintings were completely free of narrative. One cannot help but wonder, however, whether a list of references could be decoded in this canvas due to its expressive palette, impressive size (9'x3.5'), and the almost totemic outline of the squares.

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Content compiled and written by Ivan Savvine

Edited and published by The Art Story Contributors

"Ad Reinhardt Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Ivan Savvine
Edited and published by The Art Story Contributors
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First published on 01 Aug 2012. Updated and modified regularly
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