Amersfoort, The Netherlands
New York, New York
Summary of Piet Mondrian
Piet Mondrian, one of the founders of the Dutch modern movement De Stijl, is recognized for the purity of his abstractions and methodical practice by which he arrived at them. He radically simplified the elements of his paintings to reflect what he saw as the spiritual order underlying the visible world, creating a clear, universal aesthetic language within his canvases. In his best known paintings from the 1920s, Mondrian reduced his shapes to lines and rectangles and his palette to fundamental basics pushing past references to the outside world toward pure abstraction. His use of asymmetrical balance and a simplified pictorial vocabulary were crucial in the development of modern art, and his iconic abstract works remain influential in design and familiar in popular culture to this day.
- A theorist and writer, Mondrian believed that art reflected the underlying spirituality of nature. He simplified the subjects of his paintings down to the most basic elements, in order to reveal the essence of the mystical energy in the balance of forces that governed nature and the universe.
- Mondrian chose to distill his representations of the world to their basic vertical and horizontal elements, which represented the two essential opposing forces: the positive and the negative, the dynamic and the static, the masculine and the feminine. The dynamic balance of his compositions reflect what he saw as the universal balance of these forces.
- Mondrian's singular vision for modern art is clearly demonstrated in the methodical progression of his artistic style from traditional representation to complete abstraction. His paintings evolve in a logical manner, and clearly convey the influence of various modern art movements such as Luminism, Impressionism, and most importantly, Cubism.
- Mondrian, and the artists of De Stijl, advocated pure abstraction and a pared down palette in order to express a utopian ideal of universal harmony in all of the arts. By using basic forms and colors, Mondrian believed that his vision of modern art would transcend divisions in culture and become a new common language based in the pure primary colors, flatness of forms, and dynamic tension in his canvases.
- Mondrian's development of Neo-Plasticism became one of the key documents of abstract art. In the movement he detailed his vision of artistic expression in which "plasticism" referred to the action of forms and colors on the surface of the canvas as a new method for representing modern reality.
Biography of Piet Mondrian
Mondrian said: "The position of the artist is humble. He is essentially a channel." and thus, he led a life of modernist experimentation, augmenting existing trends and later, defining his own language.
Important Art by Piet Mondrian
The Gray Tree exemplifies Mondrian's early transition toward abstraction, and his application of Cubist principles to represent the landscape. The three-dimensional tree has been reduced to lines and planes using a limited palette of grays and black. This painting is one in a series of works Mondrian created, in which the early trees are naturalistically represented, while the later works have become progressively more abstract. In the later paintings, the lines of the tree are reduced until the form of the tree is barely discernable and becomes secondary to the overall composition of vertical and horizontal lines. Here, there is still an allusion to the tree as it appears in nature, but one can already see Mondrian's interest in reducing the form to a structured organization of lines. This step was invaluable to Mondrian's development of his mature style of pure abstraction.
Pier and Ocean marks a definitive step in Mondrian's path toward pure abstraction. Here he has eliminated diagonal and curved lines as well as color; the only true reference to nature is found within the title and the horizontal lines that allude to the horizon and the verticals that evoke the pilings of the pier. The rhythms created by the alternating lines and their varying lengths presages Mondrian's mature dynamic, depicting an asymmetrical balance as well as the pulse of the ocean waves. Reviewing this work, Theo van Doesburg wrote: "Spiritually, this work is more important than the others. It conveys the impression of peace; the stillness of the soul." Mondrian had begun to translate what he saw as the underlying ordered patterns of nature into a pure abstract language.
While still in Holland during World War I, Mondrian helped found the group of artists and architects called De Stijl, and it was during this period he refined his style of abstraction even further. Composition with Color Planes shows his break with Analytic Cubism and exemplifies the principles he expressed in his essay "The New Plastic in Painting." Here, Mondrian has moved away from the Cubist palette of ochres, grays, and browns, opting instead for muted reds, yellows and blues - a clear precursor to his mature palette that focused on primary colors. The blocks of color float on a white ground and no longer reference a physical object in nature such as a tree or building, while all reference to illusionistic depth has been eliminated. The composition is based on color and balance and gives even weight to all areas of the picture surface, moving toward the precise balance of his mature canvases.
Influences and Connections
Useful Resources on Piet Mondrian
- Piet Mondrian: Mister Boogie Woogie ManOur PickMondrian moves to Paris and creates new art. Includes commentary by Robert Hughes
- 57k viewsArtists of the 20th Century: Piet MondrianLonger video exploring pregression of Mondrian's art
- 110k viewsMondrian at Tate Liverpool and Turner ContemporaryArt Historian Rosie Rockel describes Mondrian's artistic development
- 14k views"Victory Boogie Woogie" at The Getty Conservation InstituteDetailed and technical video. Discussion by expert historians
- 50k viewsBroadway Boogie-Woogie RemixOur PickAnimation of Mondrian's famous work
- 147k viewsLost in the City AnimationAnother interpretation of Boogie Woogie (1943)
- 394k viewsAnimated Mondrian DevelopmentInterestingly and playfully done
- 9k viewsMondrian InfluencesArtist Larry Poons on Mondrian
- Piet Mondrian: 1872-1944; Structures in SpaceOur PickBy Susanne Deicher
- MondrianOur PickBy Hans L. C. Jaffe, Piet Mondrian
- Piet Mondrian: Color, Structure And SymbolismBy Hans Locher, Piet Mondrian
- Piet Mondrian: 1872-1944By Yve-Alain Bois, Angelica Zander Rudenstine, Joop Joosten, Hans Janssen
- Complete MondrianBy Marty Bax
- MondrianBy John Milner
- Natural Reality and Abstract Reality: An Essay in Trialogue Form (1919-1920)By Piet Mondrian
- The New Art--the New Life: The Collected Writings Of Piet Mondrian (Documents of Twentieth-Century Art)By Harry Holtzman, Martin S. James
- MondrianBy John Milner
- Mondrian 1892-1914: The Path to AbstractionBy Hans Janssen, Joop M. Joosten, Piet Mondrian
- Piet Mondrian: Catalogue Raisonne (Vol 1)By Robert P. Welsh, Joop M. Joosten
- Mondrian and De Stijl at the Pompidou Centre, ParisOur PickBy Philippe Dagen / The Guardian / January 11, 2011
- Artist Piet Mondrian in London: the forgotten yearsOur PickBy Simon Grant / The Guardian / June 25, 2010
- Great Works: Composition in White, Black and Red (1936)By Tom Lubbock / The Independent / November 27, 2009
- Slicing and Dicing the Bright Colors of Mondrian's Boogie-WoogiesBy Holland Cotter / The New York Times / June 29, 2001
- Ascetic EstheticBy Lydia Dona / Artforum / October 1995