Pablo Picasso

Pablo Picasso

Spanish Draftsman, Painter, Printmaker, and Sculptor

Born: October 25, 1881 - Malaga, Spain
Died: April 8, 1973 - Mougins, France
Main
Art is a lie that makes us realize the truth.
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Our goals can only be reached through a vehicle of a plan, in which we must fervently believe, and upon which we must vigorously act. There is no other route to success.
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Every act of creation is first an act of destruction.
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For those who know how to read, I have painted my autobiography.
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Learn the rules like a pro, so you can break them like an artist.
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It took me four years to paint like Raphael, but a lifetime to paint like a child.
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Go and do the things you can't. That is how you get to do them.
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I paint objects as I think them, not as I see them.
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There is no abstract art. You must always start with something. Afterward you can remove all traces of reality.
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The idea of research has often made painting go astray, and made the artist lose himself in mental lucubrations. Perhaps this has been the principal fault of modern art. The spirit of research has poisoned those who have not fully understood all the positive and conclusive elements in modern art and has made them attempt to paint the invisible and, therefore, the unpaintable.
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They speak of naturalism in opposition to modern painting. I would like to know if anyone has ever seen a natural work of art. Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not. Velásquez left us his idea of the people of his epoch. Undoubtly they were different from what he painted them, but we cannot conceive a Philip IV in any other way than the one Velásquez painted
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Cubism is not a reality you can take in your hand. It's more like a perfume, in front of you, behind you, to the sides, the scent is everywhere but you don't quite know where it comes from.
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Art washes away from the soul the dust of everyday life.
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Picasso used to be a great painter, now he is merely a genius.
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Facetious comment by Georges Braque

Summary of Pablo Picasso

Pablo Picasso was the most dominant and influential artist of the first half of the 20th century. Associated most of all with pioneering Cubism, alongside Georges Braque, he also invented collage and made major contributions to Symbolism and Surrealism. He saw himself above all as a painter, yet his sculpture was greatly influential, and he also explored areas as diverse as printmaking and ceramics. Finally, he was a famously charismatic personality; his many relationships with women not only filtered into his art but also may have directed its course, and his behavior has come to embody that of the bohemian modern artist in the popular imagination.

Accomplishments

Biography of Pablo Picasso

Actress Brigitte Bardot visiting Picasso's studio at Vallauris, near Cannes, during the film festival of 1956.

"I paint objects as I think them, not as I see them." Said Picasso, and whether he was partnering with Braque on Cubism or spending time with the poets he admired, or the muses he loved and craved, he was finding new ways to see, and represent what he saw. His life is a virtual progression of modernism.

Important Art by Pablo Picasso

The Soup (1902-03)

The Soup (1902-03)

La Soupe is characteristic of the somber melancholy of Picasso's Blue Period, and it was produced at the same time as a series of other pictures devoted to themes of destitution, old age, and blindness. The picture conveys something of Picasso's concern with the miserable conditions he witnessed while coming of age in Spain, and it is no doubt influenced by the religious painting he grew up with, and perhaps specifically by El Greco. But the picture is also typical of the wider Symbolist movement of the period. In later years Picasso dismissed his Blue Period works as "nothing but sentiment"; critics have often agreed with him, even though many of these pictures are iconic, and of course, now unbelievably expensive.

Portrait of Gertrude Stein (1905)

Portrait of Gertrude Stein (1905)

Gertrude Stein was an author, close friend, and even supporter of Picasso, and was integral to his growth as an artist. This portrait, in which Stein is wearing her favorite brown velvet coat, was made just a year before Les Demoiselles d'Avignon, and marks an important stage in his evolving style. In contrast to the flat appearance of the figures and objects in some of the Blue and Rose period works, the forms in this portrait seem almost sculpted, and indeed they were influenced by the artist's discovery of archaic Iberian sculpture. One can almost sense Picasso's increased interest in depicting a human face as a series of flat planes. Stein claimed that she sat for the artist some ninety times, and although that may be an exaggeration, Picasso certainly wrestled long and hard with painting her head. After approaching it in various ways, abandoning each attempt, one day he painted it out altogether, declaring "I can't see you any longer when I look," and soon abandoned the picture. It was only some time later, and without the model in front of him, that he completed the head.

Les Demoiselles d'Avignon (1907)

Les Demoiselles d'Avignon (1907)

This painting was shocking even to Picasso's closest artist friends both for its content and its execution. The subject matter of nude women was not in itself unusual, but the fact that Picasso painted the women as prostitutes in aggressively sexual postures was novel. Picasso's studies of Iberian and tribal art is most evident in the faces of three of the women, which are rendered as mask-like, suggesting that their sexuality is not just aggressive, but also primitive. Picasso also went further with his spatial experiments by abandoning the Renaissance illusion of three-dimensionality, instead presenting a radically flattened picture plane that is broken up into geometric shards, something Picasso borrowed in part from Paul Cézanne's brushwork. For instance, the leg of the woman on the left is painted as if seen from several points of view simultaneously; it is difficult to distinguish the leg from the negative space around it making it appear as if the two are both in the foreground.

The painting was widely thought to be immoral when it was finally exhibited in public in 1916. Braque is one of the few artists who studied it intently in 1907, leading directly to his Cubist collaborations with Picasso. Because Les Demoiselles predicted some of the characteristics of Cubism, the work is considered proto or pre Cubism.

Influences and Connections

Useful Resources on Pablo Picasso

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Edited and published by The Art Story Contributors

"Pablo Picasso Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and published by The Art Story Contributors
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First published on 22 Nov 2011. Updated and modified regularly
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