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Movements, Styles, and Tendencies Action Painting

Action Painting

Action Painting Collage

Started: 1945

Ended: 1960

"The act-painting is of the same metaphysical substance as the artist's existence."

Synopsis

The small, personal act of painting was not going to spark revolutionary change, but in the very act of carving out a space to engage in a creative dialogue with materials - paint and canvas - the artist registered an act of rebellion within the conformist culture of the Cold War. Coined by art critic Harold Rosenberg in 1952 as an alternative to Abstract Expressionism, Action Painting emphasized the revolutionary nature of the artist's decision to paint. Rosenberg elaborated on ideas of painting as an action he had heard in artists' studios and wove them with Marxist theory, Existential philosophy, and his thoughts on drama to articulate his description of the new American painting. What resulted on the canvas was, in Rosenberg's words, "not a picture but an event." Action Painters were not interested in depicting illusionistic scenes but rendering the energy and movement of life in a visible way on the canvas.

While typically associated with gestural painting, Action Painting was meant to encompass a wide array of artists, from Jackson Pollock to Barnett Newman, although the artists themselves shied away from adopting the moniker. While Rosenberg's friendly proximity with the artists gave him access to how the artists were talking about their painting, Rosenberg's theory of Action Painting was largely overshadowed by Clement Greenberg's more formalist readings of Abstract Expressionist painting. His description spawned many interpretations and misreadings, some of which came to fruition in later Performance Art, but many scholars have worked in recent years to rehabilitate Rosenberg's contributions to the understanding of Abstract Expressionism.

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