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Conrad Marca-Relli

American Painter

Conrad Marca-Relli Photo
Born: June 5, 1913
Boston, Massachusetts
Died: August 29, 2000
Parma, Italy
Main
Collage forces you to think and clarify ideas, with regard to both space and volumes. This discipline obliges me to think in terms of forms, outlines, real and imagined spaces, so as not to fall into the temptation of thinking that nature is a reality.
Conrad Marca-Relli Signature

Summary of Conrad Marca-Relli

Conrad Marca-Relli was a Boston-born painter and sculptor who belonged to the early generation of New York School Abstract Expressionist artists. Following a period of painting Surrealist inspired imagery, Marca-Relli made a critical breakthrough with large-scale collage paintings that frequently drew inspiration from the human form to create abstract compositions of interlocking curves and angles. He is considered to be one of the first artists to raise the art of collage to a status comparable with monumental painting, which paved the way for the large "combine paintings" of the Neo-Dada artists of the 1960s.

Key Ideas

Biography of Conrad Marca-Relli

Conrad Marca-Relli Photo

Conrad Marca-Relli was born Corrado di Marcarelli in Boston, Massachusetts to Italian immigrant parents. Marca-Relli's father was a news commentator and a journalist whose job required frequent travel, he therefore spent much of his childhood moving back and forth between the United States and Europe. He began to draw at an early age and was encouraged by his family to pursue his artistic interests, taking his first lessons during his many extended trips to Italy. There he developed a lasting feeling for the heritage of Italian art and culture and the atmosphere of European life. When he was thirteen, Marca-Relli and his parents permanently settled in New York, where Marca-Relli finished his last year of high school at night so he could dedicate his days to painting.

Important Art by Conrad Marca-Relli

Untitled (1940)

Untitled (1940)

This untitled painting from 1940 reveals the influence of Giorgio di Chirico on Marca-Relli's early career as a painter. This strangely unpopulated square is strongly evocative of di Chirico's enigmatic imagery inspired by the architecture and melencholy atmosphere of Turin. The archway in the background indicate the scene is an imagined European city with its tilted perspective enhancing the flatness of the picture plane.

Seated Figure (1953-54)

Seated Figure (1953-54)

Seated Figure won Marca-Relli the prestigious Logan Medal of the Art Institute of Chicago in 1954. The composition was produced during a period in which the artist focused almost exclusively on interpretations of single figures using layered planes of collaged canvas. In these works, Marca-Relli sought to explore abstract form using "the architecture of the human figure" as a starting point for interchanges between light and dark, positive and negative space.

Trial (1956)

Trial (1956)

The interlocking biomorphic forms in Trial represent the increasing complexity of Marca-Relli's collage technique during the 1950s. The artist has deliberately obliterated any recognizable sections of human anatomy, yet the work suggests a myriad of jostling figures. This vast composition combines an extraordinary variety of overlapping shapes, textures and contrasts to create a sense of movement that was inspired in part by Paolo Uccello's monumental battle scenes.

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Content compiled and written by The Art Story Contributors

Edited and published by The Art Story Contributors

"Conrad Marca-Relli Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by The Art Story Contributors
Edited and published by The Art Story Contributors
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First published on 05 Dec 2013. Updated and modified regularly
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