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Ibram Lassaw

American Sculptor

Ibram Lassaw Photo
Born: May 4, 1913
Alexandria, Egypt
Died: December 30, 2003
The Springs, East Hampton, New York
Main
The sculpture itself is reality, not an interpretation of reality.
Ibram Lassaw Signature

Summary of Ibram Lassaw

Ibram Lassaw, one of America's first abstract sculptors, was best known for his open-space welded sculptures of bronze, silver, copper and steel. Drawing from Surrealism, Constructivism, and Cubism, Lassaw pioneered an innovative welding technique that allowed him to create dynamic, intricate, and expressive works in three dimensions. As a result, he was a key force in shaping New York School sculpture.

Accomplishments

Biography of Ibram Lassaw

Ibram Lassaw Photo

Ibram Lassaw was born in Alexandria, Egypt, in 1913 to Russian-Jewish parents. After briefly living in Marseille, Naples, Tunis, Malta, and Constantinople, his family settled in Brooklyn, New York, in 1921. Lassaw was very interested in art from a young age and worked in clay from the age of four. He also created animals and figures using pieces of tar from the street. The history of art fascinated him, and at age 12, he started amassing an extensive collection of clippings and art reproductions, eventually filling 33 scrapbooks.

Important Art by Ibram Lassaw

Sculpture in Steel (1938)

Sculpture in Steel (1938)

After experimenting with plaster, rubber and wire, Lassaw began working with steel, which became a frequent medium for the artist, along with other metals. Sculpture in Steel, composed of biomorphic forms, reflects the important influence Surrealists such as Alberto Giacometti and Joan Miró had on Lassaw. This sculpture, Lassaw's first crafted from welded sheet metal, also reveals the distinct influence of Alexander Calder's mobiles. Around this time, Lassaw was also creating shadowbox sculptures and other works shaped around similar rectangular frames, beginning to develop pieces that depended on and created empty space as a structural element.

Milky Way (1950)

Milky Way (1950)

Milky Way is notable for signaling a new direction in Lassaw's mature open space style. He considered it his breakthrough sculpture. Here Lassaw was able to work without the rigid framework he had used to support more delicate organic forms. Previous efforts to work in this style has failed due to the use of structurally poor materials such as plaster and metalized compounds. The work is made from a plastic-metal paste which could be applied and shaped by a palette knife over sturdy wire before it hardened. Although this was not the most perfect material for sculpture, Milky Way still stands strong sixty-six years after it was created. Lassaw had a life long interest in all sciences and astronomy, and he used titles with cosmological references because he wanted viewers to experience the work directly without the conceptual baggage a recognizable name would have.

Kwannon (1952)

Kwannon (1952)

In 1951, after making his first sale, Lassaw was at last able to buy oxyacetylene welding equipment to create sculptures in metal. This work, which followed the morphology of his first 18 welded sculptures was created by first bending and shaping galvanized wire and then fusing molten bronze in layers to build up thickness and strength. The title, Kwannon is the Japanese name for the Buddhist Goddess of mercy and compassion.

Influences and Connections

Influences on Artist
Ibram Lassaw
Influenced by Artist
Open Influences

Useful Resources on Ibram Lassaw

Content compiled and written by Rachel Gershman

Edited and published by The Art Story Contributors

"Ibram Lassaw Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rachel Gershman
Edited and published by The Art Story Contributors
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First published on 05 Dec 2013. Updated and modified regularly
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