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Marsden Hartley

American Painter and Writer

Marsden Hartley Photo

Born: January 4, 1877 - Lewiston, Maine

Died: September 2, 1943 - Ellsworth, Maine

"It is never difficult to see images - when the principle image is embedded in the soul."

Marsden Hartley Signature

Summary of Marsden Hartley

Marsden Hartley, one of the first American artists to paint in a completely abstract mode, was part of the circle of artists, including Georgia O'Keeffe, Arthur Dove, Charles Demuth, and John Marin, who congregated around and were promoted by photographer Alfred Stieglitz. Hartley incorporated into his own paintings the abstract trends that he witnessed first - hand during his time among avant-garde artists in Europe during the 1910s. While his early abstract style met with resistance back in the States, Hartley, undeterred, continued to paint his more recognizable subject matter with the same vivid colors, sharp contrasts, simplified forms, and ambiguous space that he mastered early in his career. His landscape paintings, imbued with the spirit of 19th - century American Transcendentalism, as well as his later portraits, which convey a love for and the earnestness of his subjects, are a uniquely American version of modernism that continue to resonate among younger contemporary artists today.

Key Ideas

While initially known for his more radical abstractions, Hartley used formal devices, such as strong colors and simplified forms, to convey the weightiness and groundedness of his preferred subjects, whether landscape, portraits, or genre scenes, that created a tension with the two-dimensionality of the picture plane.
Unlike his colleagues, Hartley spent several extended periods of time away from the United States, living in various parts of Europe as well as Mexico. These experiences exposed him to a much wider swath of avant-garde activity than was available in the U.S. as well as extended encounters with unfamiliar landscapes. One of the results of his travel, however, was an isolation from his fellow artists, which Hartley both welcomed and lamented.
Not a traditionally religious man, Hartley was steeped in the spiritual ideas of 19th-century Americans Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman. Additionally, he was drawn to Eastern religions such as Buddhism and Hinduism and was familiar with more esoteric traditions such as Theosophy. Hartley's own syncretic spirituality pervades many of his paintings, especially his landscapes.
While he rarely discussed his private relationships in public, many now surmise that Hartley had several homosexual relationships throughout his life. At various points, he commemorated these relationships - more subtly in his early painting and more overtly in his later paintings - making Hartley an important early touchstone for gay identity in the United States.
Marsden Hartley Photo

Edmund Hartley was the youngest of nine children born to English immigrant parents Thomas and Eliza Jane Hartley. The death of his mother when he was eight years old affected him profoundly; many years later, Hartley explained, "I was to know complete isolation from that moment forward." His family was soon after divided, with Hartley forced to live with an older sister in Auburn, Maine. To assuage his loneliness, he found solace in the comforting embrace of nature, something he would cling to throughout his life. Hartley's love of the outdoors also led him to imbibe the writings of American Transcendentalists Ralph Waldo Emerson and Henry David Thoreau in addition to the poetry of Walt Whitman.

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