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Ralph Goings

American Painter

Ralph Goings Photo
Movement: Photorealism

Born: May 9, 1928 - Corning, CA

"My paintings are about light, about the way things look in their environment and especially about how things look painted. Form, color and space are at the whim of reality, their discovery and organization is the assignment of the realist painter."

Ralph Goings Signature

Summary of Ralph Goings

Ralph Goings's photorealist paintings of everyday American life say a lot about the artist himself and his family history, one marked by the poverty of the Great Depression. He painted matter-of-fact, precisely rendered snapshots of the American working class lifestyle in a dignified and poetic manner. While he began his career by experimenting with the emotionally unrestrained, painterly style of Abstract Expressionism, he quickly rejected it and moved onto his trademark style and subject matter grounded in emphatic realism. His precise, detailed approach to painting was in part inspired by the renewed emphasis on Realism in the late 1960s - except that Goings was never particularly interested in critiquing consumer culture. His polished, smoothly painted, hyper-realistic still lifes and genre paintings speak less to edgy, postmodern experimentation and more to the longstanding tradition of virtuoso illusionistic painting. This may explain in part the broad and enduring popularity of Goings's work: viewers have always enjoyed paintings that fool their eyes, that trick them into believing that what they are seeing in a painted image is the real thing rather than just a representation of it.

Key Ideas

Goings created a niche for himself in the Photorealist movement by creating paintings that didn't just fool the eye or ponder the effects of light on various surfaces, but also explored the visual culture of working-class America. His diner, truck, and condiment still-life paintings don't dwell on the great philosophical questions as much as they subtly encourage the viewer to consider the small ones. The daily routine and the person punching the clock are, on the other hand, quietly elevated, dignified. Repeated often as they are, such works suggest that Goings has arrived at some basic understanding of how subject matter and technique can fuse and produce the sort of effect that makes a stack of donuts or a ketchup bottle, beautifully rendered, seem somehow monumental.
Unlike his Photorealist colleague, Richard Estes, who created his illusionistic paintings by cobbling together multiple photographs to produce a convincingly holistic finished image, Goings typically took single photos of subjects, projected them directly onto his canvas or paper, and proceeded from there. He relished defying prohibitions against using photographs to create compositions of paintings, saying, "That it was a bad thing to do...sort of added to the sweetness of it." In some ways, his work is an homage to the photograph and the illusion it provides of authorial remove and neutrality.
Born and having begun his artistic career in California, Goings is possibly best known for the sun-drenched images of trucks, trailers, diners and the like from his native state. Whether reflecting the intense light of the hot afternoon sun or shimmering coolly in low winter light, a Goings painting of an Airstream trailer speaks of the terrain and environmental conditions of the California desert, providing the viewer with a very palpable sense of place.
Ralph Goings Photo

From an early age, Goings has memories of his father being "a classic victim of the Great Depression." For the working-class at that time, it was extremely difficult to find work; often, temporary or "odd" jobs comprised the only available opportunities for earning even scant wages at the time.

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