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Robert Gober

American Sculptor and Conceptual Artist

Robert Gober Photo

Born: September 12, 1954 - Meriden, Connecticut

"For the most part, the objects that I choose are almost all emblems of transition; they're objects that you complete with your body, and they're objects that, in one way or another, transform you."

Summary of Robert Gober

Since the early 1980s, Robert Gober has produced paradoxical sculptures that seem to embody qualities of both hand-made and machine-made objects at the same time. His works are often replicas of items found in everyday life - bags of cat litter, cans of paint, kitchen sinks, urinals - but his deliberate fabrication techniques transform these mundane things into pieces of fine art. Gober both entices and deceives his viewers by giving the impression of familiarity while engaging with surprising complexities of modern-day sexual identity, religion, politics, and art history. His works confront the expectations of those inside and outside of the formal art world; he asserts a studied, subjective intimacy into his art while placing his ideas within the celebrated lineage of Modern art, being both intensely present and historical, and invoking personal and universal experiences, at the same time.

Key Ideas

Gober's sculptures seem like ordinary objects at first glance, but they reveal their artifice upon closer scrutiny. Rather than hiding their handmade quality, these objects highlight the materials involved in the construction process. For some works, Gober identifies them only by their materials, showcasing media like wood, plaster, wax, hair, wire, clay, paint, and more. Surprisingly, Gober exposes both the means and the making of the art work, giving the viewer access to the unseen history of the work and the inevitable presence of the artist behind it, affirming a more complex process existing underneath a finished exterior.
By choosing objects found in modern-day life as the subjects of his sculptures, Gober's works directly confront the influence of the "readymade" throughout recent art history. First made famous by Marcel Duchamp in the early-20th century, readymades extracted items from daily life and gave them new identities as art objects. This process made artists and viewers reconsider their own relationships with these items, as well as their understandings of what art was required to be. Gober's works, however, are not readymades in the truest sense, but recall the impact of the readymade on artistic freedom. Gober preserves a hand-crafted quality in his objects obscuring and negating their use as commodities while still maintaining their basic, original visual features. Gober's simultaneous recognition and rejection of the readymade's most prominent features pushed the limitations of Contemporary art, eliciting surprise and provocative thought.
The presence and the absence of the human body is constant in many of Gober's works. From dollhouses to kitchen sinks, his objects often imply use by humans, even when people are not visually present. Gober inserts the viewers into the spaces created, leaving them empty and waiting to be filled by a real or imagined human presence. This experience is comfortable and familiar, and yet, it is also disconcerting, especially when the sculptures and installations invoke privacy and intimacy associated with the human body. As viewers intrude on these intensely and physically close moments, they are aware of their own complicity. This tension between comfort and discomfort is one of Gober's hallmark traits, forcing viewers to experience sensations and ideas in an art environment that carry impact beyond the gallery walls.
Though Gober's sculptures present seemingly mundane and universally experienced objects, many of them hold personal, even autobiographical, meanings. Gober investigates such intimate topics as sexual identity, religion, and social taboos over many years and in many visual manners, finding surprising methods to include the individual in the final products.
Robert Gober Photo

Robert Gober was born in Meriden, Connecticut, and grew up in the nearby town of Wallingford. His family included his mother, who worked as a nurse, his father, a draftsman, and his brother and sister. Both sets of his grandparents were immigrants to the US - his maternal grandparents from Italy and his paternal grandparents from Lithuania. Gober's family members were strict Catholics, and Gober served as an altar boy at a church as a child. His family's Catholicism and his experiences within the church were to shape his life and artwork. He has said, "I think the benefit of a Catholic childhood is your belief in visual symbols as transmitters of information and clues about life, whether it's the mystery of life or life in general."

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