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Robert De Niro, Sr.

American Painter

Robert De Niro, Sr. Photo
Born: May 3, 1922
Syracuse, New York
Died: May 3, 1993
New York, New York, USA
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The whole idea of 'action painting' is foreign to me, and, I believe, detrimental to painting, which is what Leonardo called it, 'a mental thing.' A physical action is painting, when it dominates, dulls sensitivity to nature and to one's own feelings, precludes subtlety, and institutes a dead mechanical routine.
De Niro, Robert

Summary of Robert De Niro, Sr.

Painter, sculptor and poet Robert De Niro, Sr. was a substantial contributor to post-war American art for his dedication to painterly representation. While his contemporaries eschewed the figurative style of the Old Masters, De Niro reveled in it. Yet, he manipulated this representative imagery in highly imaginative ways, using reality as a framework in which to evolve his intensely expressive brushstrokes and colors. This vivid, innovative, representational work established De Niro as a distinct figure in the Abstract Expressionist movement.

Key Ideas

Biography of Robert De Niro, Sr.

Robert De Niro, Sr. Photo

Robert De Niro was born in Syracuse, New York, in 1922. He began making art at age five and showed immediate and immense talent, eventually enrolling in adult classes at the Syracuse Museum. At only 12 years old, he impressed his teachers so much that he received his own studio in the museum school. While his Irish mother encouraged his painting, his Italian father did not. Despite his father's disapproval, De Niro continued developing his exceptional artistic skill.

Important Art by Robert De Niro, Sr.

<i> Portrait of Mrs. Z</i> (1959)

Portrait of Mrs. Z (1959)

De Niro's primary subjects were representational landscapes, still lifes and portraits, such as the seated woman in Portrait of Mrs. Z. He expanded on these traditional subjects with carefully chosen combinations of vivid colors bordered by distinctive outlines, reflecting an influence of artists such as C├ęzanne, who also painted expressionistic figurative works. Through these works, De Niro gained recognition for connecting French Fauvist painters' colors and representational themes with Abstract Expressionists' gestural paint application.

<i> Pattern Still Life #1</i> (1960)

Pattern Still Life #1 (1960)

In Pattern Still Life #1 , one of De Niro's many still life paintings, he continued using representational subject matter as a forum for expressionistic experiments with color. Often drawn to interesting patterns and designs, he closely replicated the decorative patterns found around the room, but in many other still life works he deployed a more abstracted style. He also integrated his diverse, multicultural interests into his work, commingling exotic or antique sculpture amidst everyday flowers and fruit. By the time he created this painting, De Niro had solidified the painterly representational style in which he worked for the remainder of his career.

<i> Nude with Leg Up</i> (1970)

Nude with Leg Up (1970)

Although De Niro was making work at the same time as the Abstract Expressionists, he drew less on the sharp angles of Cubism than did his contemporaries. Nude with Leg Up illustrates his propensity for rich, thickly applied colors, dynamic, spontaneous curves and wavy brushstrokes. Linearity played a particularly integral role within De Niro's work; many of his paintings' compositions relied on bold outlines to give structure to the abstracted sections of color.

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Content compiled and written by Rachel Gershman

Edited and published by The Art Story Contributors

"Robert De Niro, Sr. Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Rachel Gershman
Edited and published by The Art Story Contributors
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First published on 05 Dec 2013. Updated and modified regularly
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