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Bulgarian-American Sculptor, Photographer, and Conceptual Artist

Christo Photo

Born: June 13, 1935 - Gabrovo, Bulgaria

"The work of art is a scream of freedom."

Christo Signature

Summary of Christo

Christo's early education in Soviet Socialist Realism, and his experience fleeing his home as a refugee of political revolution, informed his career's numerous forays into real-world politics as a primary subject and source of his artmaking. His 35-year collaboration with the artist Jeanne-Claude, and the large-scale site-specific works they co-authored, stand out as his career's greatest achievements. Together, the duo created monumentally-scaled sculptures and installations which often utilized the technique of draping or wrapping large portions of existent landscapes, buildings, and industrial objects with specially engineered fabric. Christo and Jeanne-Claude made works that stand out as some of the most grandiose, ambitious, site-specific art works ever. While they often insisted that the aesthetic properties of their art constituted its primary value, reactions from audiences and critics worldwide have long recognized a broader commentary operating across their work, and themes ranging from environmental degradation, to the vexed history of the 20th century and the Cold War, to the perseverance of democratic and humanist ideals.

Key Ideas

Christo and Jeanne-Claude's interventions in the natural world and the built environment altered both the physical form and the visual experience of the sites, thereby allowing viewers to perceive and understand the locations with a new appreciation of their formal, energetic, and volumetric qualities.
The artists' choice to remain intermittently inside and outside the frameworks of legality lends much of their work a built-in aspect of dissent and resistance. It also expands upon and emboldens a long legacy of quasi-legality in art, where art exists in a realm somewhere between the "real" world and fantasy, and affords the art world with distinct privileges as well as restrictions.
Christo and Jeanne-Claude often worked outside the gallery system, refusing to negotiate sales of drawings and commissions through an art dealer. In this respect, they took a definitive stance on the political and economic infrastructure of the global art market, and set a precedent for artists working outside the system who still cultivated an international level of success.
Whereas Land Artists usually made a point of blurring the lines of distinction between the art work itself and its natural setting and/or materials, Christo and Jeanne-Claude's art relied on developing high contrast between the engineered, man-made elements and the site's organic characteristics. Their work therefore pushes the envelope of what constitutes site-specific, large-scale installation art, and expands the genre discourse to incorporate controversial themes of industrialization, bureaucratization, and late capitalism.
Christo Photo

Christo was born in Gabrovo, Bulgaria, a small town in the Balkan Mountains. His given name was Christo Vladimirov Javacheff, and his parents were Ivan Vladimir Javacheff, a chemist and a businessman who ran a fabric factory, and Tzveta Dimitrova, a political activist and a secretary at the Academy of Fine Arts in Sofia, Bulgaria. Ivan and Tzveta were socially connected with artists and intellectuals around Gabrovo, and Christo grew up surrounded by progressive ideas and culture. Christo began creating art early on, inspired by his parents' bohemian social circle, and was encouraged by several professors from the Academy of Fine Arts who would frequent the family home's to visit his parents. Politics also shaped his early life, and as a young boy Christo witnessed his birth country's invasion by the Nazis, and later by the Soviets.

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