Hans Arp

French-German Sculptor, Painter, and Collagist

Hans Arp Photo
Born: September 16, 1886
Strasbourg, Alsace
Died: June 7, 1966
Basel, Switzerland
Main
Arp was concerned with purity, with being free, being independent of everything unpleasant and limiting, and with the active, constant emission of positive energy as well as its perception.
1 of 5
Stephanie Poley
Art is a fruit that grows in man like a fruit on a plant or a child in its mother's womb.
2 of 5
Hans Arp Signature
Arp's hypnotic language takes us back to a lost paradise, to cosmic secrets and teaches us to understand the language of the universe.
3 of 5
Max Ernst Signature
[A] man of accomplished spirituality might see in each of Arp's sculptures a translation of the highest activities of the spirit, the very soul of the Prajna Paramita of the Hindus. And is not a leaf as authentic an image of the supreme wisdom as the imaginary face of the Buddha? What is a form if not the expression of a force that animates it, of a spirit that inhabits it? To let this force, this spirit, speak freely is the aim that Arp undertakes to achieve without going beyond it. Now it is especially difficult not to go beyond it (through the richness of the imagination, in particular), for this language must be as simple as the song of a bird, as calm as the beating of the heart, as humble as water.
4 of 5
Michel Seuphor
All these transmutations, transitions, pupations are not definitive...The forms remain fluid. They move on the road of one meaning to another... This is his syntax and it has imprinted itself on our minds by its modified repetition and underlying permanence.
5 of 5
Eduard Trier

Summary of Hans Arp

Something of a one-man movement, Jean Arp could (and did) make anything into art. Best-known for his biomorphic sculptures, and one of the most versatile creative minds of the early-20th century, he fashioned sculptures out of plaster, stone and bronze, and also expressed himself in paintings, drawings, collages, and poems. His approach to form, often referred to as organic abstraction, was remarkably consistent: his wavy lines suggested plants, body parts and other natural motifs, while remaining entirely abstract. Like an extraterrestrial on earth for the very first time, Arp's genius was in presenting visual information as if he is first seeing it. Transformation, growth, fecundity, and metamorphosis are among the dominant themes in his work.

Accomplishments

Biography of Hans Arp

Hans Arp Photo

A restless thinker and a nomad, Arp was born into circumstances of uncertainty that shaped his path as an artist. Neither fully French nor fully German, the artist referred to himself as "Jean" when speaking French, and "Hans" when speaking German. Born Hans Peter Wilhelm Arp in 1886 in Alsace (still part of Germany at the time), he began studying art in his home town of Strasbourg, transferred to Weimar, completed his schooling in Paris and by 1911, had co-founded the first modern art alliance in Switzerland, Der Moderne Bund. With Der Moderne Bund, he worked for a brief period with Wassily Kandinsky and Der Blaue Reiter group in Munich, but soon returned to Paris where he hobnobbed with Amedeo Modigliani, Pablo Picasso, Sonia and Robert Delaunay, as well as Guillaume Apollinaire and Max Jacob.

Important Art by Hans Arp

Collage with Squares Arranged According to the Laws of Chance (1916-17)

Collage with Squares Arranged According to the Laws of Chance (1916-17)

One of Arp's earliest "chance collages," this composition demonstrates his signature technique of tearing paper into rough shapes and dropping them onto a larger sheet, and then pasting them where they happened to fall. However, if we look carefully at this composition, what are the "chances" that pieces of paper would fall this way? They are relatively evenly spaced and aligned with the frame, gently guided by the artist into an unfussy, yet harmonious composition. Even if Arp was not entirely willing to relinquish control over the process, this idea was incredibly radical for the period. One of the first attempts to engage the element of chance in a work of art, it demonstrates Arp's commitment to the ideal of chaos, a hallmark of Dada.

Shirt Front and Fork (1922)

Shirt Front and Fork (1922)

One of a series of wooden relief sculptures made by Arp in the 1920s, Shirt Front and Fork depicts a recognizable form in an unrecognizable context. Rendered in black, grey and white, the work has an overt graphic quality that allows the viewer to quickly identify the shape of a fork on the right side. The object to the left, which resembles an enlarged tooth, is less easy to identify, and remains mysterious, evoking a host of associations that are ultimately unresolved for the viewer. Completed only a few years after Arp joined the Zürich Dada group and shortly before he participated in landmark Surrealist exhibitions, this work marks the transition from one movement to another. It is rooted in a stream of unconsciousness that foreshadows the core ambition of the Surrealists to resolve the contradictions between dream and reality. Throughout his career, Arp favored a restricted palette and, as he put it in 1955, "especially...black, white and grey" because, he explained, "There is a certain need in me for communication with human beings. Black and white is writing."

Configuration with Two Dangerous Points (1930)

Configuration with Two Dangerous Points (1930)

This painted-wood relief belongs to a group of related works that Arp completed in Paris in the 1930s. Animated through the seemingly random placement of the assembled elements, but in fact the product of a careful series of aesthetic choices, Configuration with Two Dangerous Points reveals Arp's strong focus on achieving a perfect structural balance without a loss of movement. Composed of four white and two black elements, this work exhibits an overt sense of play. This quality is further enhanced by its title, which is partially descriptive, but also humorous. In a work that essentially consists of floating blobs with gentle curves, where are these so-called dangerous points?

Influences and Connections

Useful Resources on Hans Arp

Content compiled and written by Stephanie Buhmann

Edited and revised, with Summary and Accomplishments added by Ruth Epstein

"Hans Arp Artist Overview and Analysis". [Internet]. . TheArtStory.org
Content compiled and written by Stephanie Buhmann
Edited and revised, with Summary and Accomplishments Ideas added by Ruth Epstein
Available from:
First published on 11 Dec 2015. Updated and modified regularly
[Accessed ]