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Artists Cai Guo-Qiang

Cai Guo-Qiang

Chinese Painter, Installation, and Performance Artist

Cai Guo-Qiang Photo

Born: December 8, 1957 - Quanzhou, Fujian, China

"Using gunpowder brings me closer to nature and even the universe. Of course at the moment of ignition the explosion is instantaneous... but gunpowder has its origins in minerals that took hundreds, thousands or millions of years to form. "

Summary

Rising from the ashes of China's Cultural Revolution, Cai Guo-Qiang forged his way into international art stardom as one of the first Chinese artists to expose the world to contemporary dialogues in Chinese art. Utilizing the groundbreaking mediums of gunpowder and fireworks to synthesize a new form of performance and spectacle into the art-making process, his work is renowned for its ability to leverage tension and fear toward a common consideration of the beauty in destruction. His unique artistic language, in which art becomes a reckless action, has catapulted him into a singular and inimitable role as one of our most innovative modern artists.

Key Ideas

The use of gunpowder in Cai's work carries deep meaning. The material, comprised of minerals that took hundreds of thousands of years to form, has a long lineage in Chinese history as an element of traditional Chinese medicine believed to help make one immortal. The relationship between the ephemeral and the immortal, of connecting heaven to earth, is a key theme for the artist.
Cai believes that destruction births construction - which runs in a perpetual cycle. Whether seen through the guise of the political, the spiritual, or the personal, this inherent circle of life and death touches all his work, his explosive methodology becoming a metaphor for this dance. As he says, "I'm exploring the connection to unseen power."
Spirituality, and its link between the seen and unseen worlds, is a constant source of inspiration for the artist who delves into historical Chinese traditions such as Taoism, Buddhism, Feng Shui, Qi Gong, Confucianism, and other practices, to explore and find fodder for his work. His use of largely black and muddied monochrome color represents the purity of the undistracted spiritual.
Cai believes that everyone is an artist. In this vein, he oftentimes creates large-scale projects within communities that invite participation by both local artists and ordinary citizens to further ideas of communal healing, political unity, and inspire reflections on man's role as both individuals and part of a group.
Experiencing firsthand the effects of a society falling prey to a totalitarian regime in China, Cai's work oftentimes promotes political ideas of revolution and the romance in idealism as a way to encourage people to consider ways to contribute to a more open sense of the world.
Cai's explosive mode of creation carries forth early influences of Chinese brush painting, Arte Povera, Joseph Beuy's "social sculpture," Dadaist provocation, Gutai performance-painting, and a long history of Performance artists whose processes of making art carry as much weight as their final pieces. Only, Cai has evolved this idea of art making as event to an epic modern scale.
Cai Guo-Qiang Photo

Cai Guo-Qiang was born in 1957 in Quanzhou City in the Fujian Province of China. His father Cai Ruiqin worked at a bookstore, was a collector of old books and manuscripts, and an amateur calligrapher and painter. He transmitted these early appreciations to Cai during his childhood, especially traditional landscape painting and calligraphy, and raised his son with a religious outlook on life, combining Buddhist, Taoist, and Confucianist teachings.

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