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Artists Richard Estes

Richard Estes

American Painter

Richard Estes Photo
Movements and Styles: Photorealism, Contemporary Realism

Born: May 14, 1932 - Kewanee, Illinois

"Unfortunately it has been too easy for anybody to take a photograph, trace it, and make a lousy painting. Photorealism, in that sense, has been bastardized. I can sympathize with a lot of people who just reject it outright, because, like anything else, there is so much bad stuff around. I always thought of myself as a Realist painter."

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Synopsis

When Richard Estes arrived on the New York art scene, Abstract Expressionism had largely run its course. In contrast to the acutely personal, emotional, unstructured, and (some would contend) self-indulgent aesthetic of The New York School, Estes among others introduced a form of painting that emphasized control and an almost machine-like precision. In part, his style emphasized the craft of painting, which was central to the hard-edged, jaw-dropping verisimilitude of photorealistic art. Artists like Estes, Audrey Flack, Chuck Close, and Ralph Goings abandoned the drama of gestural painting and promoted a kind of hyper-realism that seemed more visually descriptive of the increasingly high-tech, post-war age. For Estes, the appeal of the gleaming, reflective surfaces of New York City were irresistible. His paintings, composites of multiple photographs, suggest that the modern world is a sharply articulated one of clean, intersecting lines: orderly and systematic in presenting information about itself. Rather than humans, every kind of material and object tells its own story in an Estes painting to which the artist has always been reluctant to assign symbolic meaning.

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